Bryan Curtis on the
back story to "Indiana Jones and the Temple of Doom":
"Oh, I'm not renouncing it," Lucas said. Which is fair enough. Lucas mostly sounds sad when he talks about Temple of Doom. It's Spielberg who recoils from its heart extraction, its human sacrifice, its monkey-brain buffet. He once told a journalist that Temple of Doom was "too dark, too subterranean, and much too horrific."
"People say, 'Why's it so dark?'" Lucas said. Then he began to explain.
"I was going through a divorce," Lucas said, "and I was in a really
bad mood. So I really wanted to do dark. And Steve then broke up with
his girlfriend, and so he was sort of into it, too. That's where we were
at that point in time."
That's the reason Temple of Doom, which comes out as a part of the Blu-ray boxed set September 18,
is difficult for its creators — and lots of Indy fans — to love. It's a
breakup movie. It's a record of gloomy images that were scrolling
through its creators' heads. "Sometimes," Lucas told me, "you go to the
dark side." For two bummed-out guys, Temple of Doom was a catalog of what it's like to get your heart ripped out.
Another strange note about the actor who played the guy getting his heart ripped out:
Nizwar Karanj hadn't been given the rest of the script, so he had to see Temple of Doom
in the theater to find out what happened after he met his maker. "After
seeing the film," he says, "I went to the restaurant opposite the
cinema, in Leicester Square. There were quite a few people in there
who'd seen the film. I got these glances … It was in the typical British
way. They won't come up and say, 'Were you in the film?" Karanj says he
still gets fan mail, much of which comes from the Midwest.
I'm just wondering why much of his fan mail comes from the Midwest. That seems really weird.
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